be[¡]kon |
|||||||||||||||||||||||||||||||
|
div class="%20ut&%20yfir&%20inn&%20undir"
align="center" color="#FFFFFF"
[/table]
Archives Apríl 2008 Mars 2008 Febrúar 2008 Janúar 2008 Desember 2007 Nóvember 2007 Október 2007 September 2007 Ágúst 2007 Júlí 2007 Júní 2007 Maí 2007 Apríl 2007 Mars 2007 Febrúar 2007 Janúar 2007 Desember 2006 Nóvember 2006 Október 2006 September 2006 Ágúst 2006 Júlí 2006 Júní 2006 Maí 2006 Apríl 2006 Mars 2006 Febrúar 2006 Janúar 2006 Desember 2005 Nóvember 2005 Október 2005 September 2005 Ágúst 2005 Júlí 2005 Júní 2005 Maí 2005 Apríl 2005 Mars 2005 Febrúar 2005 Janúar 2005 Desember 2004 Nóvember 2004 Október 2004 September 2004 Agúst 2004 Júlí 2004 Júní 2004 Maí 2004 Apríl 2004 Mars 2004 Febrúar 2004 Janúar 2004 Desember 2003 Nóvember 2003 Október 2003 September 2003 Ágúst 2003 Júlí 2003 Júní 2003 Maí 2003 |
7.8.07
CHROME HOOF - Pre-Emptive False Rapture
Southern This band sound like nothing else you've ever heard - well, more accurately, they actually sound like a great many things you've heard before, just never played all at the same time. Initially this project was conceived as a bass and drums duo for Cathedral bassist Leo Smee and his brother Milo, giving the pair a platform to exorcise their mutual appreciation of '70s funk and disco. Soon they found themselves amassing new recruits, winding up with a large-scale troupe of multi-instrumentalists, and dedicated horn & string sections. That more or less brings us to this many-tentacled sea beast of a record. While the Scando-metal influence is thankfully all present and correct (see the operatic grindcore of the album's opener), you're quickly thrown into an entirely incongruous world of proto disco on the blistering 'Tonyte', which boasts some seriously fancy instrumental work and freakish, soulful stadium rock female vocals . Further madness ensues on 'Moss Covered Obelisk': after a brooding neo-classical opening on piano and strings, the track launches into some experimental jazz-rock that nods to Zappa and Sun Ra with similar degrees of irreverence. 'Death Is Certain!' is the most evidently metal-themed track on the album, with spectacular Nordic riffing and cookie monster vocals. Wrapping the album up, 'Egg 'n' Bass' drops some tight drum machine electro minimalism before the prog-funk epilogue 'Spokes Of Uridium', which makes like James Brown at a Goblin gig. It'd be a unique experience to witness all this business going on in a live setting. Even the band's Parliament-meets-Gwar dresscode matches their shameless genre-hopping. One of the strangest, most riotous releases in recent memory. (tekið af boomkat.com) LINKUR HÉR Fleiri plötur sem er varið í: Battles - Mirrored (ég er alltof seinn hérna) 1990s - Cookies Sunset Rubdown - Random Spirit Lover False - 2007 |
||||||||||||||||||||||||||||||